February 20, 27, March 5, 12, 19, April 2, 9, 16, 23, 30

Tuesdays from 7:00pm – 10:00pm ET

via Zoom

NEW STUDENT RATE: $580

RETURNING STUDENT RATE: $560

As soon as you finish your last line of dialogue, the need for rewrites begins. This 10-week class will help you tackle the revision process and develop a stronger version of your play. Open to new and returning students located anywhere in the world, this class will be run just like a real-life writing room, interacting with your instructor and classmates live via Zoom. 

More on taking class with Calamity: This 10-week playwriting intensive is designed for writers looking to craft a second draft of an original work. This exciting and deeply collaborative course will offer writers an inspired, supportive, enthusiastic, and fresh look at their first-drafts from a myriad of perspectives through a traditional workshop process. Playwrights will be expected to enter the workshop with a list of goals and questions they’re looking to implement into future drafts; they will also be expected to read each other’s first drafts so as to have a collective understanding of where the plays have been - and where they’re looking to go. If you have a first-draft stocked away in a drawer and don’t know what to do next – this is the course for you!

Learn more about Calamity here.

Learn more about Rewriting Your Draft here.

February 27, March 5, 12, 19, 26, April 9, 16, 30, May 7, 14

Tuesdays from 5:00pm – 8:00pm ET

via Zoom

NEW STUDENT RATE: $580

RETURNING STUDENT RATE: $560

Whether you're writing your first play or your hundredth, it's not always easy to set the creative wheels in motion. This 10-week class will guide you through the development of your first draft. Open to new and returning students located anywhere in the world, this class will be run just like a real-life writing room, interacting with your instructor and classmates live via Zoom.  

More about class with Caridad: This class is run as a writers’ workshop. Caridad believes in an equitable and respectful writing room, sensitive to each person’s respective process, but also one where a vigorous, rigorous, and intuitive approach is manifest in establishing a group atmosphere. The sessions will be structured around response to work turned in (on average 5 to 8 pages a week) with pieces read out loud in the virtual room live in class with peer and instructor response time after each sharing of work using the Liz Lerman approach. At the beginning of the semester, you will determine if everyone will share work at every session or every other session. There will be occasional in-class writing exercises, and homework will be limited to recommended reading, prompts, and/or viewings assigned. In other words, the focus will be on your generative process, and as such, homework will be minimal outside of that.

Caridad’s writing focuses on human and environmental rights from a Latinx feminist perspective for the most part, though her work also explores deeply the reconfiguration of classic and modern texts, gender fluidity, and porous borders aesthetically and formally. She has also adapted novels to the stage and sustains a parallel career as a theatrical translator, editor, and artivist. Caridad’s work is often labelled by others as “poetic realism” or “atomized realism.”

Learn more about Caridad here.

Read more about First Draft here.

February 28, March 6, 13, 20, 27, April 10, 17, 24, May 1, 8

Wednesdays from 6:00pm – 9:00pm ET

In-Person at ART/NY Studios at 520 8th Ave.

NEW STUDENT RATE: $580

RETURNING STUDENT RATE: $560

Whether you're writing your first play or your hundredth, it's not always easy to set the creative wheels in motion. This 10-week class will guide you through the development of your first draft.

More about class with Gina: Gina believes that the classroom is a place to get to know yourself, your process, and your creative language as a writer. Class sessions will include a combination of writing exercises and sharing sessions, where you read each other’s pages out loud and respond to that work. Writers will bring in sections of their play (around 20 pages) every other week as a way to delve into larger sections of storytelling. Gina will encourage you to think outside of chronological order when writing, embracing the energy of what is most exciting to you instead of creating a set course for yourself. As a way to set up strong habits as a writer outside the classroom, Gina will give writing assignments every week to help develop a creative routine between sessions. This class is an opportunity for writers to continue expanding both your creative practice and practical practice in the exploration of your work.

Gina often writes in poetic realism, and their work includes themes of queerness, sexuality, and gender exploration. Writers of all levels and styles are encouraged and welcome.

This class will be fully digital for sharing and reading pages. All pages will be shared via a class Google Drive folder, and we will use devices in class to read each other’s pages. Please come to class with a device (laptop, tablet, etc) and a charger/power cord for your device. If you are unable to bring your own device, please contact ESPA Administration.

Learn more about Gina here.

Read more about FIRST DRAFT here.

February 28, March 6, 13, 20, 27, April 10, 17, 24, May 1, 8

Wednesdays from 6:30pm – 9:30pm ET

via Zoom

NEW STUDENT RATE: $580

RETURNING STUDENT RATE: $560

Whether you're writing your first play or your hundredth, it's not always easy to set the creative wheels in motion. This 10-week class will guide you through the development of your first draft. Open to new and returning students located anywhere in the world, this class will be run just like a real-life writing room, interacting with your instructor and classmates live via Zoom.  

More about class with Matthew: Matthew believes in putting the playwright in charge of their own process, with each writer asking questions regarding what they were working on specifically or are needing support with, as opposed to giving prescriptive notes. In the beginning, students will bring in 8-10 pages to share each week, and depending on the needs and wants of the group, this may evolve into to students alternating weeks to bring in larger sections of work. As a class, we’ll read the work, give space for the playwright to ask questions, then share our experience with the pages and (if useful to the playwright) offer neutral questions/opinions.

Though the class is primarily focused on bringing in pages, you might be encouraged to write for sake of discovery – such as writing exploratory scenes that would never be in the final play, trying exercises on your scene to see what it unearths.

Learn more about Matthew here.

Read more about First Draft here.

February 28, March 6, 13, 20, 27, April 3, 10, 17, 24, May 1

Wednesdays from 7:30pm – 10:30pm ET

via Zoom

NEW STUDENT RATE: $580

RETURNING STUDENT RATE: $560

As soon as you finish your last line of dialogue, the need for rewrites begins. This 10-week class will help you tackle the revision process and develop a stronger version of your play. Open to new and returning students located anywhere in the world, this class will be run just like a real-life writing room, interacting with your instructor and classmates live via Zoom. 

More on taking class with Stefanie: This class is geared toward empowering writers to guide their own play development process. Writers will begin by articulating their goals for their new draft. Then, writers will present sections of their plays (20-30 pages) every other week. Writers receive feedback and responses to the work from the group, filtered through a series of prompts given by Stefanie. These prompts are designed to respect the process of new play development, so each writer develops the tools and confidence to solve the problems of their play, and empowers them to steer conversations that are productive and helpful. Occasionally writers will be asked to complete writing exercises to help support, scene by scene, imagery and themes that emerge in their work.

Learn more about Stefanie here.

Learn more about Rewriting Your Draft here.

March 14, 21, 28, April 4, 11, 18, 25, May 2, 16, 23

Thursdays from 6:30pm – 9:30pm

In-Person at ART/NY Studios at 520 8th Ave.

NEW STUDENT RATE: $580

RETURNING STUDENT RATE: $560

For playwrights who are in process with a first draft or ready to embark on a rewrite, this 10-week class with playwright, director, and dramaturg Mêlisa Annis will encourage you to focus not on an end product, but on what your play needs to deepen in this moment. Run like a professional playwriting group, this class will give you the community and support you need to move your play forward.

This class might be for you if you:

• Are a playwright who has already started on a new play, or a writer who may be embarking on a rewrite.
• If you are coming in with a new idea that you want to start writing, we would encourage you to take The First Draft.

In this class you will:

• Share pages every other week (apart from the first week where all writers will share the beginnings of their plays). This will allow the group more time to be in conversation with their plays and in turn have a more rigorous workshopping session. 
• Engage in in-depth discussions around the work, with comments and conversation shepherded by Mêlisa.
• Despite not sharing each week, as members of the group, your participation is essential, and you are expected to attend even when you are not sharing pages. Conversation about and around the text can be both illuminating and clarifying for the playwright; it can also be terrifying, and Mêlisa prides herself on creating a warm environment where playwrights can stretch their creative muscles while feeling supported and energized.

By the end of this class you will:

• Have made significant forward motion on your play, with a clear understanding of how to keep your work moving forward.

More on taking class with Mêlisa: Mêlisa believes that playwriting is very rewarding and can also be deeply personal – we all need to be good community members and support each other. This class will be a safe space to share, while also challenging each playwright to explore their subconscious, their subtext, and hopefully ultimately help them reach their goals. She will often send you essays on playwriting and theater, and suggest plays to read, all of which are optional but chosen to help you in your process. Mêlisa is always encouraging and supportive to any playwright who is brave enough to put words on a page, and hopes that anyone who joins this class is willing to support their colleagues in the room.

This class will be fully digital for sharing and reading pages. All pages will be shared via a class Google Drive folder, and we will use devices in class to read each other’s pages. Please come to class with a device (laptop, tablet, etc) and a charger/power cord for your device. If you are unable to bring your own device, please contact ESPA Administration.

Learn more about Mêlisa here.

April 4, 18, 25, May 2, 9

Thursdays from 6:00pm – 9:00pm ET

via Zoom

NEW STUDENT RATE: $460

RETURNING STUDENT RATE: $400

If you’re just stepping into the world of playwriting, welcome! In this 5-week class, playwright and director Tasha Gordon-Solomon  will help you build a toolbox of the fundamentals, so your first play (and each play you write after that!) can be built on a strong foundation.

This class might be for you if you are:

• A budding playwright who wants to get down to basics.
• A theater artist boldly crossing the line from one discipline to another and ready to start writing!
• A novelist or poet searching for a new forn.

In this class you will:

• Build a toolbox of the fundamentals, including discussions of structure, character, and dialogue.
• Complete writing exercises to gain an understanding of the form and generate ideas for material.
• Start to write your own play by the end of the semester.

By the end of this class you will:

• Have a strong grasp on writing for the stage, armed with the confidence you need to declare yourself a playwright and get to work on your script
• Be ready for The First Draft!

Learn more about Tasha here.